?【#電影節發燒友】成瀨與原節子：《驟雨》、《娘‧妻‧母》 ?[#CineFan] SUDDEN RAIN and DAUGHTERS, WIVES AND A MOTHER

成瀨已喜男 鏡頭下的 #原節子，層次感更豐富，臉容及身影流露更人性化的演繹張力。《驟雨》中的人妻，早已厭倦家務纏繞與丈夫爭吵度日，據理力爭要在家庭和社會中尋回自我，展現的痛苦和壓抑來得深重無奈。《娘‧妻‧母》中的新寡，與年輕釀酒師相戀，卻為了盡孝選擇嫁給茶道大師，怎料母親竟不願同住。原節子與仲代達矢的一吻，顛覆了她一貫清純的銀幕形象，更令此片成為成瀨最賣座的電影。

?《驟雨》：http://bit.ly/2A1yDwe ?《娘‧妻‧母》：http://bit.ly/2iEVarE

Under #NaruseMikio’s camera, #HaraSetsuko gives her most superior performances as the “new” Japanese woman. In SUDDEN RAIN, she injects her role as a wife bored with her husband and everyday life with a poetic treatment of a dismal situation. In DAUGHTERS, WIVES AND A MOTHER, she transforms beyond a woman of traditional virtues, with a stunning kissing scene with Nakadai Tatsuya that offers solace in the harsh reality. This film became Naruse’s highest-grossing film production. ?SUDDEN RAIN: http://bit.ly/2BKxTw6 ?DAUGHTERS, WIVES AND A MOTHER: http://bit.ly/2zYtqW3