My cast and crew worked two 16-hour days.Often this story is
heard with independent productions... small budget and great
expectations combined with enthusiastic ambition - in some cases,
unchecked.Fortunate were we that the ambition to complete a
weekend production with 37 set-ups, 49 shots, and 196 takes went off
without a hitch.Of
course, taking 6 hours to build a woman, made of chocolate, in SFX
make-up is no easy task - not for talent who must sit through it or for
the make-up artist who must apply it. I must say that it was impressive
watching
Christina Kortum from Ravenous Studios
slowly build the make-up with the skill only a talented artist like her
possesses from years of experience and a true love of the craft. Her
husband,
Ira, was dutifully next to her, helping with every stage required in preparation so she could hone and build
Alex Lazar into Persephone - the woman made of chocolate, imprisoned for life in a candy shop by her wicked guardians.Of course, make-up stretches beyond SFX and
Rose Barclay was ever present on set to detail, highlight and caress the skin of our talented cast;
Sean Morelli and
Trish Egan, the guardians, and
Kevin Dahlgren as Persephone's wooing boyfriend.It
must be noted that this short film is narrated, so there was no on-set
dialogue. The actors all had to convey the necessary physical and
emotional context for this story to be properly told during filming.
This is not easy to do... and it was impressive watching everyone bring
their talents to fruition in each of their characters. Sometimes moving
an eyebrow, every so slightly, conveys meaning beyond simple words.The
story of Persephone takes place during the turn-of-the-century in the
Netherlands region. Researching clothing, costumes, and traditional
styles fell to the talented
Crystal Shade.
She designed and sewed the clothing from the ground up - which is no
easy take for the limited time-frame we were all operating in.On set, the team from
ADiassisted
in many aspects of the production - from green screen lighting and
framing to the blocking of key-scenes which involved fragile moments of
CGI relevancy for post production.
Sean Hutchinson,
Nick Nakadate, and
Seth Cameron Short were all amazing to work alongside. Special thanks go out to
Kate Ertman, President of
ADi... for teaming up with me on this project.
Production took place at
Dan Ackerman's Stage 13.
A fully equipped, green screen cyc wall studio which is also fully
outfitted for stop-motion animation and many other production needs. Dan
shot the Persephone project for us and did a remarkable job lighting
the set alongside his two grips, Travis Becker from
Becker Productions and
Mia Paige Mikowicz. Many thanks for your great attitudes and smiles...Rebecca Micciche,
with an "e", handled all our props, set-design and art direction.
Rebecca took the time to research, build, and hunt for all the necessary
props which properly fit the time period and location where the story
takes place. I always received new prop breakdowns during
prep-production, was constantly kept in touch with, and overall... I was
impressed with her on-set suggestions and keen eye for continuity. Her
assistants,
Mike Wilson and
Matt Boucard were both a great pleasure to have on set.Our set photographer,
Deneb Catalan,
spent every second, from being almost first on set to the last few
standing at the end of day, shooting stills of the production. His
captured imagery was impressive, set-etiquette... most professional, and
always was stealthy maneuvering around, taking photos at every good,
available opportunity. Thanks for your work Deneb!Lastly, but certainly never least... was
Susan Funk and
Martin Vavra.
They made sure coffee was always made... hot food (sometimes
unfortunately ignored because of our intense schedule) was always there
in the morning... and overall, they both were dedicated to making sure
everyone was fed on set.My new iBook, "Weevil and Nightshade's
Compendium of Farables & Tales" will be released June of 2011. In
it, you'll find the story from which this production was conceived,
"Both Bitter and Sweet Was Persephone Inside Most Incomplete." You'll
find many other stories and farables as well... including, "Troubled
Frederick McLinger Had Ten Tiny Mouths on the Tips of His Fingers" and
"Shannon Shee Had a Shadow She Liked to Eat."Much more to write... but I don't care for long blogs.
Mark Roush navigates the waters of video marketing and advertising for companies such as Nike, Autodesk, Intel, HP and many others.