"These f@#$ing retards payed to watch us!!! Hahaha!!!"It's hard to make a character-driven film when none of your characters are especially likable, interesting, or developed beyond trite thumbnail sketches.
Crossing Hennessy/月滿軒尼詩 attempts much and achieves little. The characters are all stereotypes who conveniently lack certain inevitable realities such that the narrative can move where the writer/director wants it to go
Example: Ex-cons with a penchant for violence who express their emotions by trashing their apartments don't miraculously exempt their girlfriend from that violence. Except in trite, hackneyed movies.
Andy On deserves credit for at least being the most intentionally dislikeable character. He's the most convincing of the bunch, as a psychotic ne'er-do-well that (miraculously) sees what a pile of sh*t he and his life are/will be and selflessly pushes away the one woman who really loves him.
Cue the violins, eh?
He is convincing in his role, and manages to make it realistic without going over the top.
I can't really say that of anyone else in the film. But I think the blame lies more with Ivy Ho, whose direction of her own screenplay leaves me wishing that she and her characters crossed Hennessy in the path of an oncoming truck.You know what? I don't like sh*tting on this movie either.
But it did it to me first.
If we don't support the movies that deserve it, we get the movies that we deserve.