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官方艺术家
Sean Tierney
演员, 编剧, 音乐家, 喜剧演员, 笔者
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Rehab Weekend

Don’t worry, this isn’t another entry in the Cough Syrup Diaries.

I recently helped a friend rehabilitate a guitar.

A Made-in-Japan (MIJ)  Jackson Stealth EX.

It used to have stickers on it.

It spent a long time in its case under a bed.

In Hong Kong.

It needed help.

First things first: disassemble it for cleaning:

Take off the tuners and locking nut (I hate when that happens). They were rusted and pitted.

The bridge was rusted and pitted too:


This is a licensed Floyd Rose-type bridge manufactured by  Takeuchi.

They are very much sought after by MIJ aficionados.I am sure that titillates you silly.

Luckily, I have plenty of medicine for what ails it.

A bath in WD-40 can work wonders.

Starting to look better…

WD-40 works on sticker residue, too.

The fretboard needed work:

Note the uneven nature of the frets, as well as the dull appearance.

These grooves come from playing very hard.

The frets needed leveling and re-crowning.  When it was done, they looked like this:

Smooth, shiny, and slick.

I ended up replacing the volume and tone controls as well as the input jack. I didn’t take any photos since I was working with a soldering iron and didn’t want to end up with a photo of me burning the F out of my finger. Besides, it is hardly a compelling visual experience.

I also blocked the bridge so that it no longer ‘floats.’ You can’t make all those 1980s tweedly noises, but the guitar is more stable, has more sustain, and won’t go (as far) out of tune if a string breaks. Again, it was really not an exciting process to look at.

Okay, so I forgot to take pictures. So f@#$ing what?

Once  it was clean, non-vibrato-fied, the frets were back in shape, and the electronics allowed it to produce sound, it was time for reassembly:


Nothing says 1980s like the Jackson headstock.

Except cocaine.

From what I’ve read.

Chipped, scratched, but shiny.

It lives to shred again!!!

接近 15 年 前 0 赞s  1 评论  0 shares
Mariejost 26 dsc00460
I think with an older guitar, you want to let the wear and tear show through the restoration. There is something about letting an instrument show that it was played (and hard, it seems in the case of this guitar) that is appealing (at least to me). You wouldn't believe the condition of a lot of vintage flamenco guitars--once the back or the face splits, they are unplayable. But flamenco guitarists cling to these battered and unplayable relics because they exude the "aire" of old-time flamenco, back in the days before Paco de Lucia introduced expanded and inverted chords, back in the days when flamenco guitarists had about the social status of garbage men, but the flamenco was "puro". I wonder if there is the same aura associated with old electric guitars as there is with old flamenco guitars?
接近 15 年 ago

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语言
English,Cantonese
位置(城市,国家)以英文标示
Hong Kong
性别
Male
加入的时间
April 1, 2008